Discussing Business
ADVISING ENTREPRENEURS: TripAdvisor CEO Stephen Kaufer encourages students to continue brainstorming and tinkering on business ideas despite setbacks.
Use the field below to perform an advanced search of The Justice archives. This will return articles, images, and multimedia relevant to your query.
ADVISING ENTREPRENEURS: TripAdvisor CEO Stephen Kaufer encourages students to continue brainstorming and tinkering on business ideas despite setbacks.
TO BE OR NOT TO BE: Hamlet (Raphael Stigliano ’18, center) delivers his famous speech while the scene’s supporting cast members (Ellie McKnight ’18, right, and Sara Kenney ’18) question their judgement, motives and feelings.
WELCOME TO SHAKESPEARE’S KITCHEN: Aaron Fischer ’15 (center), Barbara Spidle ’16 (left) and Samantha Levangie ’15 (right) acted out Shakespeare’s tragic play Titus Andronicus as if the ordeal took place on a cooking show.
WHAT AN AIRHEAD: Yongwoon Kim ’17 holds up the “head” of king Macbeth, who lost his head over the course of the players’ reenactment of Macbeth. Macbeth.
LUSCIOUS LOCKS: Juliet, played by Riely Allen ’18 (top) sits on Missy Kintish ’17. Allen’s discheveled wig added more comedy to the scene.
Rape Crisis Center Coordinator Victoria Jonas ’15 (center) speaks at the opening of the center, alongside Ava Blustein ’15 (left), sexual assault services and prevention specialist Sheila McMahon and Samantha Daniels ’16 (far right).
Dr. Robert Trent Vinson discussed the accomplishments of Nelson Mandela and and Albert Luthuli in their fight against apartheid in South Africa.
COMEDIC RELIEF: Antonio (Brian Dorfman ’16, back) mocked his outgoing friend Gratiano (Shmuel Trieger ’16) as the two attempted to raise each other’s spirits.
ELABORATE COSTUMES: The show’s use of period-specific costumes helped give the performance a sense of realism.
INTO THE WILD: Students drew inspiration for their paintings from their surrounds and from scenes on campus.
HIPS DON’T LIE: One of the dances that the Brandeis Belly Dance Ensemble performed was an Egyptian saidi style of belly dance.
STRIKE A POSE: Models in the fashion show blended cultural dresses and modern-day outfits.
NEWCOMERS: One of the first dances of the show, the freshman dance’s energy and enthusiasm gave the start of the show an upbeat tone.
B-NAT: The Bharatanatyam dancers’ (B-nats for short) complex footwork mesmerized the audience as the copper bells wrapped around their ankles added to the music.
IN MOURNING: The cast gathers to sing and lay flowers on Moritz’s gravestone as they mourn his death in the play’s second act.
OVERCOME WITH EMOTION: Melchior falls to the ground when he realizes that his pregnant girlfriend, Wendla, has died at the very end of the play.
TABLE TALK: The male lead on the left, Melchior (Jason Theoharis ’17) and his friend Moritz (Zach Marlin ’16) on the right, discuss controversial topics.
TAKING A STAND: The female lead, Wendla (Sarah Steiker ’17), stands on her chair before singing “Mama Who Bore Me” and objecting to her mother’s unwillingness to discuss sex.
MEMORY IN THE MAKING: Kenneth Pitts, a Ph.D. candidate in the Psychology department, discussed his experiences in the army and his subsequent mental health problems.
MASKED IDENTITIES: These photos show the process of mask making and reconstructive surgery that doctors performed to aid disfigured veterans. after World War I.